Roland JUNO-Di Editor Uživatelský manuál

JUNO-Di EditorOwner’s Manual Copyright © 2009 ROLAND CORPORATIONAll rights reserved. No part of this publication may be reproduced in any form without

10Overview The JUNO-Di will enter Performance mode if you turn on Split, Dual, or Super Layer. Of the sixteen parts of the performance, Split or Dual

11OverviewLFO (Low Frequency Oscillator)Use the LFO to create cyclic changes (modulation) in a sound. The JUNO-Di has two LFOs. Either one or both can

12OverviewThe JUNO-Di has built-in effect units, and you can independently edit each unit’s settings.Multi-EffectsThe multi-effects are multi-purpose

13OverviewPatch and performance settings are stored in what is referred to as memory. There are three kind of memory: temporary, rewritable, and non-r

14SYSTEM Parameters]COMMONParameter Value ExplanationMASTER LEVEL 0–127 Volume of the entire JUNO-DiMASTER TUNE 415.3–466.2 HzOverall tuning of the JU

15SYSTEM ParametersSCALE TUNE for Patch ModeParameter Value ExplanationPATCH SCALE TUNEThe JUNO-Di allows you to play the keyboard using temperaments

16EFFECTS ParametersPatch mode (p. 23)In Patch mode, you can apply multi-effects (MFX), chorus, and reverb to each patch or rhythm set; the same effec

17EFFECTS ParametersIn Patch mode you can use one multi-effect (MFX), one chorus, and one reverb.Here you can make overall settings for effects, such

18EFFECTS ParametersREVERB (Type)OFF, REVERB, SRV ROOM, SRV HALL, SRV PLATE, GM2 REVERBType of reverb OFF: Reverb will not be used REVERB: Basic r

19EFFECTS ParametersIn Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. The three multi-effects, choru

2 Contents Using the JUNO-Di Editor...3 1. Introduction...32. Connections and Sett

20EFFECTS ParametersMFX1–3 SOURCEPERFORM, 1–16Multi-effect parameter settings used by the performance PERFORM: Use the multi-effect settings of the

21EFFECTS ParametersMulti-Effect ControlIn order to control the multi-effect’s volume or delay time from an external MIDI device, you would normally n

22EFFECTS ParametersA performance contains parameters that specify whether specific MIDI messages will be received for each MIDI channel (p. 62). If y

23Detailed Editing for a Patch (PATCH Parameters)“Editing” is the process of modifying the values of the JUNO-Di’s various settings (parameters). This

24Detailed Editing for a Patch (PATCH Parameters)Some of the waves that make up a tone key are stereo.With stereo waves, the name of a left-channel wa

25Detailed Editing for a Patch (PATCH Parameters)SYSTEM COMMONPATCH COMMONLFO1Parameter marked with a “★” can be controlled using specified MIDI messa

26Detailed Editing for a Patch (PATCH Parameters)WGParameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42

27Detailed Editing for a Patch (PATCH Parameters)TVAParameter Value ExplanationCUTOFF ★(Cutoff Frequency)0–127 Frequency at which the filter begins to

28Detailed Editing for a Patch (PATCH Parameters)Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42)S

29Detailed Editing for a Patch (PATCH Parameters)Parameter Value ExplanationPRIORITYLAST, LOUDESTHow notes will be managed when the maximum polyphony

3 Using the JUNO-Di Editor 204 * Microsoft and Windows are registered trademarks of Microsoft Corporation. 206e * The screen shots in this document a

30Detailed Editing for a Patch (PATCH Parameters)Structure changes how a tone is sounded.* When TYPE 02–10 is selected and one tone of a pair is turne

31Detailed Editing for a Patch (PATCH Parameters)Parameter Value ExplanationTONE 1 & 2, 3 & 4 BOOSTER0, +6, +12, +18Specifies the amount of bo

32Detailed Editing for a Patch (PATCH Parameters)This modifies Waveforms/Pitch/Pitch Envelope.Parameter marked with a “★” can be controlled using spec

33Detailed Editing for a Patch (PATCH Parameters)TONE DELAYThis produces a time delay between the moment a key is pressed (or released), and the momen

34Detailed Editing for a Patch (PATCH Parameters)PITCH ENV (WAVE PITCH ENVELOPE)Parameter marked with a “★” can be controlled using specified MIDI mes

35Detailed Editing for a Patch (PATCH Parameters)A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or oth

36Detailed Editing for a Patch (PATCH Parameters)FILTER ENV (TVF ENVELOPE)Parameter marked with a “★” can be controlled using specified MIDI messages.

37Detailed Editing for a Patch (PATCH Parameters)TVA adjusts the volume.Parameter marked with a “★” can be controlled using specified MIDI messages.(M

38Detailed Editing for a Patch (PATCH Parameters)AMP ENV (TVA ENVELOPE)Parameter marked with a “★” can be controlled using specified MIDI messages. (M

39Detailed Editing for a Patch (PATCH Parameters)An LFO (Low Frequency Oscillator) causes change over a cycle in a sound. Each tone has two LFOs (LFO1

4Using the JUNO-Di Editor “Open” loads a file saved by JUNO-Di Editor containing the state of JUNO-Di Editor.* The “Open” command of the toolbar does

40Detailed Editing for a Patch (PATCH Parameters)Parameter marked with a “★” can be controlled using specified MIDI messages. (Matrix Control, p. 42)P

41Detailed Editing for a Patch (PATCH Parameters)STEP LFOYou can use the force with which keys are played to control the way each Tone is played.fig.T

42Detailed Editing for a Patch (PATCH Parameters)You can use the note number to control the way each Tone is played.fig.TMT-K.eThe function which allo

43Detailed Editing for a Patch (PATCH Parameters)Parameter Value ExplanationDESTINATION 1–4OFF, PITCH, CUTOFF, RESONANCE, LEVEL, PAN, OUTPUT LEVEL, CH

44Detailed Editing for a Rhythm Set (RHYTHM Parameters)“Editing” is the process of modifying the values of the JUNO-Di’s various settings (parameters)

45Detailed Editing for a Rhythm Set (RHYTHM Parameters)Some of the waves that make up a rhythm set key are stereo.With stereo waves, the name of a lef

46Detailed Editing for a Rhythm Set (RHYTHM Parameters)SYSTEM COMMONRHYTHM COMMONRHYTHM CONTROLRHYTHM ParametersSUMMARYParameter Value ExplanationMAST

47Detailed Editing for a Rhythm Set (RHYTHM Parameters)WMTPITCHParameter Value ExplanationWAVE NUMBER L/R Off, 1–Waves comprising the rhythm toneWhen

48Detailed Editing for a Rhythm Set (RHYTHM Parameters)TVFParameter Value ExplanationTYPEOFF, LPF, BPF, HPF, PKG, LPF2, LPF3Type of filterOFF: No filt

49Detailed Editing for a Rhythm Set (RHYTHM Parameters)TVAParameter Value ExplanationLEVEL 0–127Volume of the rhythm toneThis setting is useful primar

5Using the JUNO-Di Editor • By clicking the buttons in the Navigation block you can select the parameters that will be shown in the Main block.• The

50Detailed Editing for a Rhythm Set (RHYTHM Parameters)COMMON (RHYTHM COMMON)Parameter Value ExplanationRHYTHM NAME — Rhythm set nameLEVEL 0–127 Volum

51Detailed Editing for a Rhythm Set (RHYTHM Parameters)WMT modifies waveforms/pitch/pitch envelope.WMT (RHYTHM KEY WMT)Parameter Value ExplanationWAVE

52Detailed Editing for a Rhythm Set (RHYTHM Parameters)PITCH ENV (WAVE PITCH ENVELOPE)PITCH (RHYTHM KEY PITCH)Parameter Value ExplanationTUNE COARSE C

53Detailed Editing for a Rhythm Set (RHYTHM Parameters)A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness,

54Detailed Editing for a Rhythm Set (RHYTHM Parameters)FILTER ENV (TVF ENVELOPE)Parameter Value ExplanationDEPTH -63–+63Depth of the TVF envelopeHighe

55Detailed Editing for a Rhythm Set (RHYTHM Parameters)This adjusts the volume.AMP ENV (TVA ENVELOPE)TVA (RHYTHM KEY TVA)Parameter Value ExplanationLE

56Detailed Editing for a Rhythm Set (RHYTHM Parameters)OUTPUTYou can use the force with which keys are played to control the way each waveform is play

57Detailed Editing for a Performance (PERFORM Parameters)The JUNO-Di’s performances are organized into two groups: User and Preset.PRST (Preset)These

58Detailed Editing for a Performance (PERFORM Parameters)MFX/CHORUS/REVERB SwitchThe internal effects of the JUNO-Di are switched on/off as a whole. T

59Detailed Editing for a Performance (PERFORM Parameters)MIXERParameter Value ExplanationPART 1–16SOLO OFF, ON Switch this to ON if you want to hear t

6Using the JUNO-Di Editor You can edit values by clicking (and dragging) the buttons, sliders, or knobs.• If you feel that the sliders and knobs in t

60Detailed Editing for a Performance (PERFORM Parameters)ALL PARAMETERS (ALL PARAMS)Parameter Value ExplanationSOLO OFF, ON Switch this to ON if you w

61Detailed Editing for a Performance (PERFORM Parameters)OFFSETCOF (Cutoff)-64–+63 Adjusts the cutoff frequency for the patch or rhythm set assigned t

62Detailed Editing for a Performance (PERFORM Parameters)Parts 1–16 of a performance correspond to MIDI channels 1–16 of MIDI messages received from a

63Detailed Editing for a Performance (PERFORM Parameters)KEYBOARD RANGEParameter Value ExplanationSWITCH OFF, ONSpecifies, for each part, whether or n

64Effects ListThe multi-effects feature 79 different kinds of effects. Some of the effects consist of two or more different effects connected in serie

65Effects ListSome effect parameters (such as RATE or DELAY TIME) can be set in terms of a note value.Such parameters have a RATE SYNC switch that let

66Effects ListThis is a four-band stereo equalizer (low, mid x 2, high).fig.MFX-01This is a stereo spectrum. Spectrum is a type of filter which modifi

67Effects ListThis is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically.fig.MFX-05This is a filter whose cutoff fr

68Effects ListCyclically controls a filter to create cyclic change in timbre.fig.MFX-08Adds a vowel character to the sound, making it similar to a hum

69Effects ListA phase-shifted sound is added to the original sound and modulated.fig.MFX-11The phaser effect will be varied gradually.fig.MFX-12Extrem

7Using the JUNO-Di Editor You may experience some of the problems below if JUNO-Di Librarian and JUNO-Di Editor are used at the same time.• When you

70Effects ListA phaser that continues raising/lowering the frequency at which the sound is modulated.fig.MFX-14This is an effect that applies amplitud

71Effects ListCyclically modulates the stereo location of the sound.fig.MFX-18aThis uses a 16-step sequence to vary the panning of the sound.fig.MFX-1

72Effects ListThe Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the

73Effects ListThis is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a

74Effects ListThis is a chorus effect with added Tremolo (cyclic modulation of volume).fig.MFX-27This is a multiple chorus that applies two-phase modu

75Effects ListThis applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right.fig.MFX-30This

76Effects ListA flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges.fig.MFX-33A step flanger that lets

77Effects ListCreates a soft distortion similar to that produced by vacuum tube amplifiers.fig.MFX-35Produces a more intense distortion than Overdrive

78Effects ListSpecifications for each Speaker TypeThe speaker column indicates the diameter of each speaker unit (in inches) and the number of units.F

79Effects ListThis is a stereo delay.When Feedback Mode is NORMAL:fig.MFX-43aWhen Feedback Mode is CROSS:fig.MFX-43bA delay that provides a long delay

8Using the JUNO-Di Editor In cases such as the following, the display may indicate “Unable to read/write data.”• When the JUNO-Di and the computer ar

80Effects ListThis delay connects two delay units in series. Feedback can be applied independently to each delay unit, allowing you to produce complex

81Effects ListProduces three delay sounds; center, left and right.fig.MFX-47This effect has four delays.fig.MFX-48afig.MFX-48bStereo location of each

82Effects ListThis is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the revers

83Effects ListThis applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right.fig.MFX-52A stereo

84Effects ListA virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.fig.M

85Effects ListThis is an effect that intentionally degrades the sound quality for creative purposes.fig.MFX-57In addition to a Lo-Fi effect, this effe

86Effects ListA stereo pitch shifter.fig.MFX-61Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add

87Effects ListAdds reverberation to the sound, simulating an acoustic space.fig.MFX-64This is a special type of reverb in which the reverberant sound

88Effects Listfig.MFX-68The parameters are essentially the same as in “66: OVERDRIVE → CHORUS,” with the exception of the following two.Overdrive Driv

89Effects Listfig.MFX-73fig.MFX-74fig.MFX-75fig.MFX-7673: ENHANCER → FLANGER Parameter Value ExplanationEnhancer Sens # 0–127 Sensitivity of the enha

9 Overview Broadly speaking, the JUNO-Di consists of a controller section, a sound generator section, and a song player section. fig.BasicStruct-e Co

90Effects Listfig.MFX-77On an acoustic piano, holding down the damper pedal allows other strings to resonate in sympathy with the notes you play, crea

91Effects ListThe JUNO-Di’s Chorus effect unit can also be used as a stereo delay unit.These settings allow you to select chorus or delay, and the cha

92Effects ListThese settings allow you to select the desired type of reverb, and its characteristics.Reverb ParametersParameterValue ExplanationReverb