Roland Fantom-Xa Uživatelský manuál Strana 165
- Strana / 264
- Tabulka s obsahem
- ŘEŠENÍ PROBLÉMŮ
- KNIHY
Hodnocené. / 5. Na základě hodnocení zákazníků
165
Adding Effects
01: EQUALIZER
This is a four-band stereo equalizer (low, mid x 2, high).
fig.MFX-01
02: SPECTRUM
This is a stereo spectrum. Spectrum is a type of filter which modifies
the timbre by boosting or cutting the level at specific frequencies.
fig.MFX-02
03: ISOLATOR
This is an equalizer which cuts the volume greatly, allowing you to
add a special effect to the sound by cutting the volume in varying
ranges.
fig.MFX-03
04: LOW BOOST
Boosts the volume of the lower range, creating powerful lows.
fig.MFX-04
Parameter
Value Explanation
Low Freq
200, 400 Hz Frequency of the low range
Low Gain # -15– +15 dB Gain of the low range
Mid1 Freq 200–8000 Hz Frequency of the middle
range 1
Mid1 Gain -15– +15 dB Gain of the middle range 1
Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 1
Set a higher value for Q to
narrow the range to be af-
fected.
Mid2 Freq 200–8000 Hz Frequency of the middle
range 2
Mid2 Gain -15– +15 dB Gain of the middle range 2
Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 2
Set a higher value for Q to
narrow the range to be af-
fected.
High Freq 2000, 4000, 8000 Hz Frequency of the high range
High Gain # -15– +15 dB Gain of the high range
Level # 0–127 Output Level
Parameter
Value Explanation
Band1 (250Hz)
-15– +15 dB Gain of each frequency band
Band2 (500Hz)
Band3 (1000Hz)
Band4 (1250Hz)
Band5 (2000Hz)
Band6 (3150Hz)
Band7 (4000Hz)
Band8 (8000Hz)
Q 0.5, 1.0, 2.0, 4.0, 8.0 Simultaneously adjusts the
width of the adjusted ranges for
all the frequency bands.
Level # 0–127 Output Level
L in
R in
L out
R out
4-Band EQ
4-Band EQ
L in
R in
L out
R out
Spectrum
Spectrum
Parameter
Value Explanation
Boost/
Cut Low #
-60– +4 dB These boost and cut each of the High,
Middle, and Low frequency ranges.
At -60 dB, the sound becomes in-
audible. 0 dB is equivalent to the
input level of the sound.
Boost/
Cut Mid #
Boost/
Cut High #
Anti Phase
Low Sw
OFF, ON Turns the Anti-Phase function on and
off for the Low frequency ranges.
When turned on, the counter-
channel of stereo sound is inverted
and added to the signal.
Anti Phase
Low Level
0–127 Adjusts the level settings for the Low
frequency ranges.
Adjusting this level for certain fre-
quencies allows you to lend em-
phasis to specific parts. (This is
effective only for stereo source.)
Anti Phase
Mid Sw
OFF, ON Settings of the Anti-Phase function
for the Middle frequency ranges
The parameters are the same as for
the Low frequency ranges.
Anti Phase
Mid Level
0–127
Low Boost Sw OFF, ON Turns Low Booster on/off.
This emphasizes the bottom to cre-
ate a heavy bass sound.
Low Boost
Level
0–127 Increasing this value gives you a
heavier low end.
* Depending on the Isolator and fil-
ter settings this effect may be hard
to distinguish.
Level 0–127 Output Level
Parameter
Value Explanation
Boost
Frequency #
50–125 Hz Center frequency at which the lower
range will be boosted
Boost Gain # 0– +12 dB Amount by which the lower range
will be boosted
Boost Width WIDE, MID,
NARROW
Width of the lower range that will be
boosted
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level 0–127 Output level
L in
R in
L out
R out
Isolator
Low Boost
Low Boost
Isolator
L in
R in
L out
R out
Low Boost
2-Band EQ
2-Band EQ
Low Boost
Fantom-Xa_e.book 165 ページ ２００４年１０月２２日 金曜日 午後２時３分
- Owner’s Manual 1
- DECLARATION OF CONFORMITY 2
- IMPORTANT NOTES 4
- Using Memory Cards 5
- Contents 10
- Main Features 11
- Panel Descriptions 12
- Rear Panel 14
- Getting Ready 15
- Turning On/Off the Power 16
- Adjusting the Display 16
- Contrast (LCD Contrast) 16
- Listening to the Demo Songs 17
- Various Performance Features 18
- Overview of the Fantom-Xa 19
- About Memory 21
- About the Onboard Effects 22
- About the Sequencer 23
- About the Sampling Section 25
- Switching the Sound 26
- Generator Mode 26
- About the Function Buttons 26
- Moving the Cursor 27
- Changing a Value 27
- Assigning a Name 28
- Playing in Patch Mode 29
- Selecting a Patch 30
- Selecting Patches from the 30
- Selecting Favorite Patches/ 31
- Rhythm Sets (Favorite Patch) 31
- Selecting Patches by 32
- Category 32
- Affected by the Controller 34
- Creating a Patch 35
- Saving Patches You’ve 37
- Created (Write) 37
- Functions of Patch Parameters 38
- [F3 (PORTMNT)] 41
- [F1 (WG PRM)] 43
- Parameter Group [F2 (WG)] 43
- [F2 (PITCH)] 44
- [F3 (PCH ENV)] 44
- [F1 (TVF PRM)] 45
- Parameter Group [F3 (TVF)] 45
- [F2 (TVF ENV)] 46
- [F1 (TVA PRM)] 47
- Parameter Group [F4 (TVA)] 47
- [F2 (TVA ENV)] 48
- [F1 (CTRL1)]–[F4 (CTRL4)] 49
- Parameter Group [F5 (CTRL)] 49
- [F5 (MISC)] 51
- [F1 (LFO 1)], [F2 (LFO 2)] 52
- Modulating Sounds/Output 52
- How to Apply the LFO 53
- [F3 (STEP)] 54
- [F4 (OUTPUT)] 54
- Creating a Rhythm Set 55
- Copying Rhythm Tone Settings 56
- Saving Rhythm Sets You’ve 57
- Parameter Group [F4 (TVF)] 62
- Parameter Group [F5 (TVA)] 64
- Output Settings 65
- Playing in Performance Mode 66
- Selecting a Performance 67
- Using the LAYER Screen 68
- Part 1: Strings 69
- Part 1 + Part 2: 69
- (Strings + Piano) 69
- Part 2: Piano 69
- Using the MIXER Screen 70
- Silencing the Playback of a 71
- Specific Part (Mute) 71
- Creating a Performance 72
- Functions of Parameters of 73
- Each Part 73
- (Performance Parameters) 73
- [F3 (PITCH)] 74
- [F5 (FX SRC)] 74
- [F6 (OFFSET)] 74
- [PAGE] - [F1 (VIBRATO)] 75
- [PAGE] - [F2 (KEYBORD)] 75
- [PAGE] - [F3 (KEY MOD)] 76
- [PAGE] - [F6 (EXT)] 77
- Settings for the Realtime 78
- Controllers and D Beam 78
- Controller 78
- MIDI Settings 79
- D Beam Controller 80
- Solo Synth 81
- Pad Trigger 82
- Assignable 82
- Realtime Controller 83
- ASSIGNABLE Switch Settings 84
- Control Pedal 85
- Playing Arpeggios 86
- Arpeggio Settings 87
- Variations (Arp Motif) 89
- Creating an Arpeggio Style 90
- (Arpeggio Style Edit) 90
- Saving the Styles You Have 91
- About the Chord Memory 92
- Performing with the Chord 92
- Memory Function 92
- Playing Rhythms 94
- Pattern Performances 95
- Select the Rhythm Group 95
- Rhythm Pattern Settings 96
- Creating a Rhythm Pattern 97
- (Rhythm Pattern Edit) 97
- Saving the Rhythm Pattern 98
- You Have Created (Write) 98
- Sampling 100
- External Input Settings 101
- Input Effect Setup Settings 102
- Skip Back Sampling 103
- Editing a Sample 104
- Sample Edit 106
- Sample (NORMALIZE) 109
- Maximizing the Volume of a 109
- Assigning Samples to a Pad 112
- (Assign to Pad) 112
- Assigning a Sample as a 113
- Patch to a Part (Assign to 113
- Keyboard) 113
- Saving a Sample (Write) 116
- Using the Pads 117
- Assigning a Pattern to a 118
- Pad (RPS Function) 118
- Using the Pads to Play 118
- Playing Back a Song 119
- Various Playback Methods 120
- Recording Songs 122
- Recording Your 124
- Performance as You Play It 124
- (Realtime Recording) 124
- Quantize) 126
- Inputting Data One Step at 128
- Editing Songs 131
- Editing Sequencer Data 133
- Over the Specified Range 133
- (Track Edit) 133
- Aligning a Song’s Timing 134
- (Quantize) 134
- Copying Phrases (Copy) 137
- Transpose the Key (Transpose) 138
- Sequencer Data (Extract) 141
- Shifting Performance Data 142
- Editing Individual Items of 144
- Sequencer Data (Micro Edit) 144
- Sequencer Data Handled by a 145
- Phrase Track/Pattern 145
- Viewing Sequencer Data (View) 146
- Moving Sequencer Data (Move) 147
- Copying Sequencer Data (Copy) 148
- Changing the Tempo Midway 148
- Through the Song 148
- Assigning a Name to a 149
- Song (Song Name) 149
- Saving a Song (Save) 150
- Saving a Song (Save Song) 151
- Saving a Song as an SMF 152
- File (Save as SMF) 152
- Loading a Song (Load) 153
- Before You Use the RPS 154
- Function 154
- Using the RPS Function 156
- While You Perform 156
- Adding Effects 157
- Multi-Effects Parameters 164
- 12: STEP PHASER 168
- 13: MULTI STAGE PHASER 168
- SAW1 SAW2 169
- 20: SLICER 170
- 21: ROTARY 170
- 23: CHORUS 171
- 24: FLANGER 171
- 26: HEXA-CHORUS 172
- 28: SPACE-D 172
- 31: 3D STEP FLANGER 173
- 35: OVERDRIVE 175
- 38: VS DISTORTION 175
- 42: GATE 177
- 44: LONG DELAY 177
- 47: 3TAP PAN DELAY 178
- 50: REVERSE DELAY 179
- Feedback 180
- 56: LOFI NOISE 181
- 57: LOFI COMPRESS 182
- 60: PHONOGRAPH 182
- 61: PITCH SHIFTER 183
- (Feedback Pitch Shifter) 183
- 63: STEP PITCH SHIFTER 183
- Balance W 184
- Balance D 184
- Making Chorus Settings 189
- Making Reverb Settings 190
- Mastering Effect 191
- [F2 (AUTO LD)] 193
- System Menu [F1 (GENERAL)] 193
- [F1 (COMMON)] 193
- [F3 (SOUND)] 194
- [F4 (USB)] 194
- [F1 (KBD)] 195
- [F2 (PDL BND)] 195
- System Menu [F2 (KBD/CTRL)] 195
- [F3 (KNOB SW)] 196
- [F4 (CTRL)] 196
- [F1 (GENERL)] 197
- System Menu [F3 (MIDI)] 197
- Using the Local Switch 197
- [F2 (TX)] 198
- [F3 (RX)] 198
- [F4 (MMC MTC)] 198
- MIDI Clock and MTC 199
- Types of MTC 199
- [F1 (METRO)] 200
- [F2 (REC TRK)] 200
- [F3 (SYNC)] 200
- System Menu [F4 (SEQ/TEMPO)] 200
- [F2 (TRIGGER)] 201
- [F3 (ASSIGN)] 201
- System Menu [F5 (D BEAM)] 201
- [F4 (DB SYN)] 202
- Data Management Functions/ 203
- Basic Procedure 204
- About USB Functions 206
- Switching the USB Storage 206
- Mode and the MIDI Mode 206
- Your Computer 207
- (Storage Mode) 207
- Exiting Storage Mode 208
- Canceling USB Communication 208
- Importing an Audio File 208
- (Import Audio) 208
- Exchanging MIDI Messages 209
- (MIDI Mode) 209
- Using Fantom-X Editor 210
- Fantom-X Editor System 211
- Requirements 211
- About V-LINK 212
- V-LINK Parameters 213
- Resetting the Image 213
- Checking the Installed Wave 215
- Expansion Board 215
- Expanding the Memory 216
- Checking that memory is 217
- Using a Memory Card 218
- Troubleshooting 219
- Issues Related to Effects 221
- Issues Related to Saving Data 221
- Issues Related to Sequencer 222
- Issues Related to MIDI and 223
- External Devices 223
- Issues Related to Sampling 224
- Error Messages 225
- Performance List 226
- Patch List 227
- GM (GM2 Group) 231
- Rhythm Set List 232
- Waveform List 241
- Arpeggio Style List 244
- Chord Form List 244
- Rhythm Group List 245
- Rhythm Pattern List 246
- USER (User Group) 247
- PRST (Preset Group) 247
- About MIDI 248
- MIDI Implementation Chart 249
- Specifications 251
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