Roland GT-PRO Uživatelský manuál

Owner’s Manual03899334 ‘05-3-1N Printing Conventions in This Manual• Text or numerals enclosed in square brackets [ ] indicate bottons.[WR

10Main FeaturesProfessional Guitar Effects SystemEverything that has gone into the GT-PRO, from the use of only the finest analog parts, to the qualit

100Chapter 10 Other FeaturesSwitching the Output/Input LevelYou can switch between the MAIN OUT, SUB OUT, and LOOP 1/2 SEND output levels and the LOOP

101Chapter 10 Other FeaturesChapter 10Tuning the Guitar (Tuner/Bypass)When the Tuner is turned on, sounds input to the GT-PRO are output directly as i

102Chapter 10 Other FeaturesParameter/RangeExplanationTUNER Pitchfig.10-0500d435–445 Hz Sets the reference pitch.The frequency of A4 (the middle A on

103AppendicesAppendicesRestoring the Factory Settings (Factory Reset)Restoring the GT-PRO to the settings made at the factory is referred to as “Facto

104AppendicesUSBMonitor Cmd DisableDir Monitor OnDriver Mode AdvancedMIDIRX Channel 1Omni Mode Omni OnTX Channel RxDevice ID 1Sync Clock AutoPC OUT On

105AppendicesAppendicesMIDI Implementation ChartFunction...BasicChannelModeNoteNumber :VelocityAfterTouchPitch BendControlChangeProgChangeSystem Exclu

106AppendicesSpecificationsGT-PRO: Guitar Effects ProcessorAD Conversion24 bit + AF methodDA Conversion24 bitSampling Frequency44.1 kHzProgram Memorie

107AppendicesAppendices<Rear Panel>GND LIFT switch (SUB OUT)Display16 characters, 2 lines (backlit LCD)2 characters, 7 segment LEDPEAK indicator

108AppendicesGT-PRO Software System Requirements WindowsOperating System:Microsoft® Windows® XP Professional/XP Home Edition/2000 Professional/Me/98S

109Installing & Setup the USB DriverIn order to use the GT-PRO USB, you must first install the USB driver. The USB Driver is included in the “GT-P

11Names of Things and What They DoFront Panelfig.002-0101. INPUTINPUT JackThe guitar is connected here.INPUT LEVEL KnobAdjusts the level of the signal

110Driver installation and settings (Windows)The GT-PRO features two operational modes, each of which uses a different type of driver, with one mode u

111Driver installation and settings (Windows)1Disconnect all USB cables except for a USB keyboard and USB mouse (if used).2Open the System Properties

112Driver installation and settings (Windows)11With the power switch turned OFF, use the USB cable to connect the GT-PRO to your computer.12Make sure

113Driver installation and settings (Windows)Next, you need to set your computer so priority is given to background services, which will help to assur

114Driver installation and settings (Windows)1Disconnect all USB cables except for a USB keyboard and USB mouse (if used).2Open the System Properties

115Driver installation and settings (Windows)13The Insert Disk dialog box will appear.Click [OK].14The Files Needed dialog box will appear.Input the f

116Driver installation and settings (Windows)Giving priority to background servicesIn Windows 2000, make settings to enable background processing. If

117Driver installation and settings (Windows)1With the GT-PRO disconnected, start up Windows.Disconnect all USB cables except for a USB keyboard and U

118Driver installation and settings (Windows)1With the GT-PRO disconnected, start up Windows.Disconnect all USB cables except for a USB keyboard and U

119Driver installation and settings (Windows)1With the GT-PRO disconnected, start up Windows.Disconnect all USB cables except for a USB keyboard and U

12Names of Things and What They Do6. COMP On/Off ButtonPress to change the settings.7. OS/DS On/Off ButtonPress to change the settings.8. WAH On/Off B

120Driver installation and settings (Windows)The USB composite device driver is installed first, then the USB audio device driver is installed. Use th

121Driver installation and settings (Windows)8Check CD-ROM drive, and click [Next].A dialog box like the one shown below will appear.fig.12-00949Click

122Driver installation and settings (Windows)11Click [Next], and proceed with the installation in the same way as in steps 8–10.When installation of t

123Driver installation and settings (Windows)In order to get the best performance from the software you are using, you must choose the correct device

124Driver installation and settings (Windows)If you will be using the Windows Media Player application with the GT-PRO, specify the input/output devic

125Driver installation and settings (Windows)Windows 98 users1Click the Windows Start button, and from the menu that appears, select Settings | Contro

126Driver installation and settings (Macintosh)The GT-PRO features two operational modes, each of which uses a different type of driver, with one mode

127Driver installation and settings (Macintosh)Installing the driver1Disconnect all USB cables other than those for your keyboard and mouse, and resta

128Driver installation and settings (Macintosh)Input/output device settingsIf you want to use the GT-PRO with the iTunes software included with your M

129Driver installation and settings (Macintosh)Installing the driverUse either OMS or FreeMIDI as the MIDI driver.The included GT-PRO driver is an add

13Names of Things and What They DoRear panelfig.00-02201. AMP CTL 1 Jack/AMP CTL 2 JackWhen using the AMP CONTROL function (p. 54), connect to the jac

130Driver installation and settings (Macintosh)OMS settings1Before connecting the USB cable, switch the GT-PRO’s driver mode to “Advanced.”For instruc

131Driver installation and settings (Macintosh)6When the search has been completed, verify that the OMS Driver Setup dialog box lists the BOSS GT-PRO,

132Driver installation and settings (Macintosh)11From the Edit menu, select OMS MIDI Setup. In the OMS MIDI Setup dialog box that appears, check Run M

133Driver installation and settings (Macintosh)FreeMIDI settings1Before connecting the USB cable, switch the GT-PRO’s driver mode to “Advanced.”For in

134Driver installation and settings (Macintosh)7Click [Continue].8In the dialog box that appears, set Studio Location: to GT-PRO,GT-PRO Port, and clic

135Driver installation and settings (Macintosh)Installing the ASIO driverYou must install the MIDI driver even if you will be using only audio on the

136Driver installation and settings (Macintosh)1With the GT-PRO disconnected, start up Mac OS.Disconnect all USB cables except for a USB keyboard and

137Driver installation and settings (Macintosh)fig.12-03808In the Output tab, set the Choose a device for sound output to “GT-PRO.”fig.12-03909In the

138Driver installation and settings (Macintosh)1With the GT-PRO disconnected, start up Mac OS.2Exit all currently running software (applications).If y

139Driver installation and settings (Macintosh)Settings the sound input/output1From the Apple menu, select Control Panel – Sound.The Sound dialog box

14Names of Things and What They DoSignal FlowGUITAR IN(Rear)(Front)BYPASSSENDSEND 1RETURN 1SEND 2RETURN 2RETURNAMP CTL 1AMP CTL 2PreLoop USBDigitalOut

140Driver installation and settings (Macintosh)5In Choose a source for sound input (Device), select USB audio.fig.12-0460* Do not check Play sound thr

141Setting the Special Driver’s FunctionsWhen using the GT-PRO in Advanced mode, you can change the driver settings to adjust the latency of the audio

142Setting the Special Driver’s FunctionsOpening the special driver settings dialog boxIf using Windows:1. Open the Control Panel and double-click BOS

143TroubleshootingError MessagesIf you attempt an incorrect operation or if an operation could not be executed, the display will indicate an error mes

144TroubleshootingOscillating sound occurs❏ Is the value for any gain- or volume-related effects parameter set too high?→ Lower these values.❏ Is the

145Troubleshooting❏ Do the MIDI channel settings of both devices match?→ Make sure that the MIDI channels of both devices match (p. 73).❏ When you sen

146TroubleshootingCan’t install/delete/use the driver in Windows XP/2000❏ Did you log on to Windows as a user with administrative privileges?→ In orde

147TroubleshootingProblems when using the USB DriverOperating system becomes unstable❏ Operation becomes unstable when the computer is started up with

148Troubleshooting❏ Does your sequencer software support ASIO 2.0?→ If your ASIO-compatible software does not support ASIO 2.0, it will not operate co

149Troubleshooting4. From the list, select GENERIC IDE DISK TYPE??, and click Properties to access the GENERIC IDE DISK TYPE?? Properties dialog box.*

15Chapter 1Chapter 1 Playing SoundsMaking the Connectionsfig.01-0010Front PanelGuitar AmpStereoHeadphonesGuitarDigital Recorder etc.MIDI Foot Controll

150Troubleshooting→ Try increasing the Buffer Size in the ASIO Driver control panel. The name of the settings dialog box will differ depending on your

151TroubleshootingDeleting the Special DriverIf you were unable to install the special driver according to the procedure given, the GT-PRO may not be

152Patch List User PatchNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeU 1- 1 STACK DRIVE - Single (Ch.A) MS HiGain Power StackU 1- 2

153Patch ListNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeU 6- 1 AMERICAN DS RAT Single (Ch.A) MS1959(I) MS HiGainU 6- 2 HEAVY STACK

154Patch ListNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeU11- 1 DEEP STACK LEAD - Single (Ch.A) MS HiGain MS HiGainU11- 2 BIG LEAD

155Patch ListNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeU16- 1 60’s CLEAN - Single (Ch.A) VO Clean VO DriveU16- 2 FAT CLEAN

156Patch List Preset PatchNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeP21- 1 STACK DRIVE - Single (Ch.A) MS HiGain Power StackP21-

157Patch ListNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeP26- 1 AMERICAN DS RAT Single (Ch.A) MS1959(I) MS HiGainP26- 2 HEAVY STACK

158Patch ListNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeP31- 1 DEEP STACK LEAD - Single (Ch.A) MS HiGain MS HiGainP31- 2 BIG LEAD

159Patch ListNo. Patch Name OD/DS Type PRE Ch.Mode Ch.A Type Ch.B TypeP36- 1 60’s CLEAN - Single (Ch.A) VO Clean VO DriveP36- 2 FAT CLEAN

16Chapter 1 Playing Sounds* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on

160IndexNumerics2 x 2 Chorus ... 482CE ...

161IndexGS ... 38GT-PRO Editor ...

162IndexPreamp/Speaker Simulator ... 28PRESENCE ...

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.For EU CountriesFor EU CountriesApparatus containi

Owner’s Manual 03899334 ’05-3-1N Printing Conventions in This Manual • Text or numerals enclosed in square brackets [ ] indicate botton

17Chapter 1 Playing SoundsChapter 1Adjusting the Input LevelUse the INPUT LEVEL knob to adjust the input level to suit your guitar.fig.01-00601. Play

18Chapter 1 Playing SoundsSelecting the SUB OUT Output Device (Amp) (Sub Output Select)Select the type of device connected to the SUB OUT jack/connect

19Chapter 2Chapter 2 Creating Your Own Favorite Tones (Patches)What is a Patch?The GT-PRO can store 400 combinations (or “sets”) of effects and parame

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.For EU CountriesFor EU CountriesApparatus containi

20Chapter 2 Creating Your Own Favorite Tones (Patches)Adjusting the Tones with the KnobsThe GT-PRO panel features eight knob controls. These knobs let

21Chapter 2 Creating Your Own Favorite Tones (Patches)Chapter 2Setting the Effects Simply (QUICK FX)Each effect includes prepared sample settings call

22Chapter 2 Creating Your Own Favorite Tones (Patches)Making More Precise Effect SettingsEach effect comprises several different kinds of parameters.

23Chapter 2 Creating Your Own Favorite Tones (Patches)Chapter 2Naming Patches (Patch Name)Each patch can be given a name (Patch Name) consisting of up

24Chapter 3 Saving the Tones You Have CreatedStoring Patches (Patch Write)When you want to keep a tone created with the Quick Settings or a tone with

25Chapter 3 Saving the Tones You Have CreatedChapter 3Exchanging Patches (Patch Exchange)On the GT-PRO, you can “swap” or exchange the positions of tw

26Chapter 3 Saving the Tones You Have CreatedInitializing Patches with a Tone Similar to What You Have in MindIf you already have a clear idea about t

27Chapter 3 Saving the Tones You Have CreatedChapter 34. When you want to change the User Quick Setting name (12 characters), use PARAMETER [ ] [ ] to

28Chapter 4 Introduction to Effects and ParametersIn this chapter you will find detailed descriptions for each of the GT-PRO’s onboard effects, and th

29Chapter 4 Introduction to Effects and ParametersChapter 4*1 You can make separate settings for Channel A and Channel B.Dynamic Sens0–100Effective wi

3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual...

30Chapter 4 Introduction to Effects and ParametersType ListType ExplanationJC CLEANJC-120This is the sound of the Roland JC-120.Warm CleanThis gives a

31Chapter 4 Introduction to Effects and ParametersChapter 4OVERDRIVE/DISTORTIONThis effect distorts the sound to create long sustain. It provides 30 t

32Chapter 4 Introduction to Effects and ParametersDELAYThis effect adds delayed sound to the direct sound, giving more body to the sound or creating s

33Chapter 4 Introduction to Effects and ParametersChapter 4*1 Setting available when Type is set to Dual Series, Dual Parallel, or Dual L/R.*2 Setting

34Chapter 4 Introduction to Effects and ParametersUsing the HOLD (Hold Delay)* Recording and playback of performances and other operations are carried

35Chapter 4 Introduction to Effects and ParametersChapter 4REVERBThis effect adds reverberation to the sound.COMP (Compressor)This is an effect that p

36Chapter 4 Introduction to Effects and ParametersWAHYou can control the wah effect in real time by adjusting the EXP pedal connected to the EXP PEDAL

37Chapter 4 Introduction to Effects and ParametersChapter 4ACS (Advanced Compressor)This is an effect that produces a long sustain by evening out the

38Chapter 4 Introduction to Effects and ParametersAW (Auto Wah)This changes the filtering over a periodic cycle, providing an automatic wah effect.TM

39Chapter 4 Introduction to Effects and ParametersChapter 4TR (Tremolo)Tremolo is an effect that creates a cyclic change in volume.PH (Phaser)By addin

4 013 • In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for th

40Chapter 4 Introduction to Effects and ParametersFL (Flanger)The flanging effect gives a twisting, jet-airplane-like character to the sound.PANWith t

41Chapter 4 Introduction to Effects and ParametersChapter 4UV (Uni-V)Although this resembles a phaser effect, it also provides a unique undulation tha

42Chapter 4 Introduction to Effects and ParametersSTR (Sitar Simulator)This simulates the sound of the sitar.FB (Feedbacker)This allows you to use fee

43Chapter 4 Introduction to Effects and ParametersChapter 4AFB (Anti-feedback)This prevents the acoustic feedback that can be produced by the body res

44Chapter 4 Introduction to Effects and ParametersWSY (Wave Synth)This is a synth sound that processes the guitar input signal.SEQ (Sub Equalizer)This

45Chapter 4 Introduction to Effects and ParametersChapter 4FX-2You can use the following effects in FX-2 in addition to whatever effect is shared by F

46Chapter 4 Introduction to Effects and ParametersCreating Harmonist Scales (User Scale)When “Harmony” is set to any value from -2oct to +2oct, and th

47Chapter 4 Introduction to Effects and ParametersChapter 4PB (Pedal Bend)This lets you use the pedal to get a pitch bend effect. The EXP pedal automa

48Chapter 4 Introduction to Effects and Parameters2CE (2 x 2 Chorus)Two separate stereo chorus units are used for the low-frequency and high-frequency

49Chapter 4 Introduction to Effects and Parameters Chapter 4 Creating Original Phrases (User Phrase) In addition to the 30 different prepared phrases,

5 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please rea

50Chapter 4 Introduction to Effects and Parameters *1 Parameter setting included when Wave is set to “Square” or “Saw.” *2 Parameter setting included

51Chapter 4 Introduction to Effects and ParametersChapter 4SH (Sound Hold)You can have sound played on the guitar be held continuously. This effect al

52Chapter 4 Introduction to Effects and ParametersLOOP (External Effects Loop) 1/2This allows you to connect an external effects device to the LOOP 1/

53Chapter 4 Introduction to Effects and ParametersChapter 4When Type is Set to S/R1→S/R2 or S/R1&S/R2PRE LOOPYou can connect an external effects p

54Chapter 4 Introduction to Effects and ParametersAMP CTL (Amp Control) 1/2By connecting your guitar amp’s channel switching jack to the GT-PRO’s AMP

55Chapter 4 Introduction to Effects and ParametersChapter 4Patch LevelOutputMaster BPMFV (Foot Volume)This is a volume control effect.Normally, this i

56Chapter 4 Introduction to Effects and ParametersFX CHAIN (Effect Chain)Here’s how you can change the order in which the effects are connected.1. Pre

57Chapter 5Chapter 5 Creating Original Effects Types (Customize)With the GT-PRO’s Customize function, you can rely on your own sensibilities and creat

58Chapter 5 Creating Original Effects Types (Customize)Customizing the SpeakersYou can make two different sets of settings, Custom 1 and Custom 2.* Th

59Chapter 5 Creating Original Effects Types (Customize)Chapter 5Customizing Overdrive/DistortionYou can make three different sets of settings, Custom

6IMPORTANT NOTES Additional Precautions 551 • Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or

60Chapter 5 Creating Original Effects Types (Customize)Customizing Pedal WahYou can make three different sets of settings, Custom 1, Custom 2, and Cus

61Chapter 6Chapter 6 Using Pedals to Control the EffectsNotes on Setting the Pedal FunctionsWith the GT-PRO, each effect features various different pa

62Chapter 6 Using Pedals to Control the EffectsSetting the Operation of the External Foot Switch (CTL 1, 2, 3, 4 Function)This applies the settings de

63Chapter 6 Using Pedals to Control the EffectsChapter 6Setting the Operation of the External EXP Pedal (EXP1, 2 Function)This applies the setting det

64Chapter 6 Using Pedals to Control the EffectsSetting the Operation for an External MIDI Device (CC#7, CC#80, CC#1 Function)These settings are applie

65Chapter 6 Using Pedals to Control the EffectsChapter 6CC#1Setting the FV (Foot Volume) Operation for Individual Patches (EXP1/CC#7 Foot Volume)The m

66Chapter 6 Using Pedals to Control the EffectsSetting External Controller Functions to Individual Patches (Assign)This sets, on an individual patch b

67Chapter 6 Using Pedals to Control the EffectsChapter 6Manual SettingsHere, you can individually determine which controller is to control which param

68Chapter 6 Using Pedals to Control the Effects* Although you can set this so that the same target is controlled by more than one controller, in such

69Chapter 6 Using Pedals to Control the EffectsChapter 6Sourcefig.06-0200dThis sets the controller (source) that affects the target parameter.Controll

7 Contents IMPORTANT SAFETY INSTRUCTIONS ... 2USING THE UNIT SAFELY ... 3IMPORTANT NOTES... 5Ma

70Chapter 6 Using Pedals to Control the Effectsfig.06-0240* When using a foot switch or other on/off switching controller as the source, leave these a

71Chapter 6 Using Pedals to Control the EffectsChapter 6Wave PedalThis changes the parameter selected as a target in a certain cycle with the assumed

72Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedWhat Can You Do with MIDI?You can perform the following operations using MIDI with th

73Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedChapter 7Notes Regarding the MIDI Messages That Can Be Transmitted and ReceivedThe MI

74Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedMIDI Device IDfig.07-0070d1–32This sets the Device ID used for transmitting and recei

75Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedChapter 7Transmitting and Receiving MIDI DataOn the GT-PRO, you can use Exclusive mes

76Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedReceiving Data from an External MIDI Device (Bulk Load)Making the ConnectionsWhen Rec

77Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedChapter 7Setting the Program Change MapWhen switching patches using Program Change me

78Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedEnabling/Disabling the Program Change Map Settings (MIDI Map Select)This setting dete

79Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedChapter 7About MIDIMIDI is an acronym for Musical Instrument Digital Interface, and i

8Contents NAME (Patch Name)...56ASSIGN...

80Chapter 7 Using the GT-PRO with External MIDI Devices ConnectedAbout the MIDI implementationMIDI allows a variety of messages to be exchanged betwee

81Chapter 8Chapter 8 Using the GT-PRO Connected to the FC-200You can connect the Roland FC-200 MIDI Foot Controller (sold separately) to the GT-PRO.Us

82Chapter 8 Using the GT-PRO Connected to the FC-200Setting the Timing for Switching Patches (FC-200 Program Change Out)Switching Banks with the Numbe

83Chapter 8 Using the GT-PRO Connected to the FC-200Chapter 8Transmitting Settings Data to the FC-200After the GT-PRO and FC-200 are connected with a

84Chapter 8 Using the GT-PRO Connected to the FC-200Switching the Bank and Numberfig.08-01301. Press a BANK Up or BANK Down pedal.The bank switches, t

85Chapter 8 Using the GT-PRO Connected to the FC-200Chapter 8Switching the Effect On and Off with the FC-200’s Pedals (Manual Mode)The GT-PRO features

86Chapter 8 Using the GT-PRO Connected to the FC-200If the controller number set for the Assign (p. 66) source is the same as that assigned to an FC-2

87Chapter 8 Using the GT-PRO Connected to the FC-200Chapter 8After connecting the FC-200, you will find it convenient to change the settings without h

88Chapter 9 Using the GT-PRO Connected to a Computer Via USBBefore Connecting with USBWith the GT-PRO, you can use USB to transmit both digital audio

89Chapter 9 Using the GT-PRO Connected to a Computer Via USBChapter 9Setting USB-Related FunctionsThis section describes the GT-PRO’s USB functions. S

9Contents Chapter 10 Other Features ... 92 Controlling Various Parameters Through the Guitar Volume...

90Chapter 9 Using the GT-PRO Connected to a Computer Via USBRecording the GT-PRO’s Output with a ComputerSet your application (such as a sequence soft

91Chapter 9 Using the GT-PRO Connected to a Computer Via USBChapter 9Running the GT-PRO from a ComputerYou can use USB MIDI to run the GT-PRO from you

92Chapter 10 Other FeaturesControlling Various Parameters Through the Guitar VolumeThe GT-PRO includes a function to control effect parameters with th

93Chapter 10 Other FeaturesChapter 10Using the Guitar Volume to Change Selected Effect Parameters (Assign Source)Assign (p. 66) features a function th

94Chapter 10 Other FeaturesAdjusting the Overall Sound to Match the Usage Environment (Global)The GT-PRO includes a feature that allows you to change

95Chapter 10 Other FeaturesChapter 10Sub Global EQThis adjusts the tone of the SUB OUT regardless of the equalizer on/off settings of individual patch

96Chapter 10 Other FeaturesAdjusting the Display Contrast (LCD Contrast)Depending on where the GT-PRO is placed, the display (on the right) may become

97Chapter 10 Other FeaturesChapter 10Adjusting the Tone of the Sounds Input to the GT-PRO (Input Level/Input Presence)The GT-PRO includes a function u

98Chapter 10 Other FeaturesUsing the Identical Preamp Settings in All Patches (Preamp Mode)With the GT-PRO, you can have a preamp be set globally for

99Chapter 10 Other FeaturesChapter 10Changing the EXP Pedal Mode When Patches are Switched (Assign Hold)This setting determines whether or not the Ass