Roland Fantom-S88 Uživatelský manuál Strana 161
- Strana / 228
- Tabulka s obsahem
- ŘEŠENÍ PROBLÉMŮ
- KNIHY
Hodnocené. / 5. Na základě hodnocení zákazníků
161
Editing Songs
Editing Songs
• To shift all notes or polyphonic aftertouch data, set “Range Min”
to “C -1” and “Range Max” to “G9.” To shift C4, set “Range
Min” and “Range Max” to “C4.” To shift C3 through C4, set
“Range Min” to “C3” and “Range Max” to “C4.”
• To shift all controller numbers, set “Range Min” to “0” and
“Range Max” to “127.” To shift all program numbers, set “Range
Min” to “1” and “Range Max” to “128.” To shift number 4, set
“Range Min” and “Range Max” to “4.” To shift numbers 3
through 14, set “Range Min” to “3” and “Range Max” to “14.”
MIDI Channel
Selects the MIDI channel of the data to be shifted in time.
To shift clocks of all sequencer data, set this parameter to ALL. To
shift the sequencer data clock of just one specific MIDI channel,
select that MIDI channel.
Value: ALL, 1–16
If you set the Track parameter to “TEMPO,” or if the Status
parameter is set to “EXC,” “TUNE” or “PTN,” the Channel
parameter will not be available.
Thinning Out the Sequencer Data
(Data Thin)
Continuously variable controllers such as aftertouch, pitch bend, and
expression tend to create unexpectedly large amounts of data when
operated. Data Thin will strip out redundant data to increase the
amount of memory available for the sequencer.
fig.11-26_50
For details on the settings, refer to “Basic Operation for Track
Editing” (p. 151)
Track / Pattern (Source Track)
Specifies the track(s) or pattern whose sequencer data will be thinned.
Value
ALL: Phrase tracks 1–16, the beat track, and the tempo track
TRK 1–TRK 16: The specified phrase track
PTN001–PTN100: The specified pattern
Measure, For (Edit Range)
Specifies the range of measures whose sequencer data will be
thinned. If you set “For” to “ALL,” all measures will be specified.
Data Thin Value
For thinning data which incorporates rapid changes, use higher
settings. If you don’t want to thin that much data even though it is
subject to rapid change, use lower settings.
Data Thin Time
If you are thinning data that changes gradually over time, use higher
settings. If you don’t want to thin that much data even though the
changes are gradual, use lower settings.
Status
Selects the type of data to be thinned.
Value
ALL: All following sequencer data types
P.AFT: Polyphonic Aftertouch
C.C: Controller numbers
C.AFT: Channel Aftertouch
BEND: Pitch Bend
Range Min, Range Max
If you set the Status parameter to “P.AFT” or “C.C,” specify the
range of data. Set “Range Min” to the lowest value of the range, and
“Range Max” to the highest value of the range.
• To thin out all polyphonic aftertouch data, set “Range Min” to
“C -1” and “Range Max” to “G9.” To thin out C4, set “Range
Min” and “Range Max” to “C4.” To thin out C3 through C4, set
“Range Min” to “C3” and “Range Max” to “C4.”
• To thin out all controller numbers, set “Range Min” to “0” and
“Range Max” to “127.” To thin out number 4, set “Range Min”
and “Range Max” to “4.” To thin out numbers 3 through 14, set
“Range Min” to “3” and “Range Max” to “14.”
MIDI Channel
Selects MIDI channel of the data to be thinned.
To thin all sequencer data, set this parameter to ALL. To thin
sequencer data of just one specific MIDI channel, select that MIDI
channel.
Value: ALL, 1–16
Swapping Two Phrase Tracks or
Patterns (Exchange)
The phrase tracks or patterns will be exchanged in their entirety.
Value
TRK 1–TRK 16: The specified phrase track
PTN001–PTN100: The specified pattern
fig.11-27_50
For details on the settings, refer to “Basic Operation for Track
Editing” (p. 151)
- OWNER’S MANUAL 1
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Contents 6
- Main Features 13
- Panel Descriptions 14
- Rear Panel 16
- Overview of the Fantom-S 17
- Rhythm Sets 18
- Performances 18
- About Memory 19
- Temporary Memory 20
- Rewritable Memory 20
- Non-Rewritable Memory 20
- About the Onboard Effects 20
- Effect Types 20
- About the Sequencer 21
- Tempo Track 22
- Beat Track 22
- Positions for Storing a Song 22
- About the Sampling Section 23
- About the [1]–[8] Buttons 24
- Moving the Cursor 25
- Modifying a Value 25
- Playing in Patch Mode 26
- Selecting a Patch 27
- Selecting Favorite Patches 28
- (Favorite Sound) 28
- Auditioning Patches 29
- (Phrase Preview) 29
- (Patch Finder) 29
- Registering a Favorite Patch 30
- Transposing the Keyboard in 31
- Octave Units (Octave Shift) 31
- Semitone Steps (Transpose) 32
- Sound (Tone On/Off) 32
- Playing Single Notes (Mono) 32
- (Portamento) 33
- Assigning a Parameter to a 34
- Controller 34
- D Beam (Assignable) 36
- Selecting a Rhythm Set 37
- Playing a Rhythm Set 38
- Creating a Patch 39
- Editing in a Graphic Display 40
- (Zoom Edit) 40
- Cautions When Selecting a 41
- Waveform 41
- Patch (Compare) 42
- Functions of Patch Parameters 43
- (General) 43
- Modifying Waveforms (Wave) 45
- Booster level 47
- Pitch Env 50
- Modulating Sounds (LFO) 56
- Cutoff Frequency 57
- Sound (Solo Porta) 58
- Miscellaneous Settings (Misc) 60
- Creating a Rhythm Set 64
- Saving Rhythm Sets You’ve 66
- Created (Write) 66
- Functions of Rhythm Set 67
- Parameters 67
- Sounded (WMT) 70
- Output Settings 75
- Playing in Performance Mode 76
- Selecting a Performance 78
- Using the Layer Screen 79
- Part 1: Strings 80
- Part 1 + Part 2: 80
- (Strings + Piano) 80
- Part 2: Piano 80
- Using the Mixer Screen 81
- Editing the Part Settings 82
- Part (Mute) 82
- List (Performance Part View) 83
- Confirming MIDI Information 83
- Creating a Performance 84
- [2 (Output Effect)] 85
- [3 (Pitch)] 86
- [4 (Offset)] 87
- [5 (Key Range)] 87
- [6 (Scale Tune)] 88
- [7 (External)] 89
- [8 (MIDI Filter)] 90
- MIDI Filter 90
- Selecting the Parameter 91
- Controlled by the Realtime 91
- (Control Setting) 91
- D Beam (Pad Trigger) 92
- D Beam (Solo Synth) 92
- Changing the Settings of the 95
- Patch Assigned to a Part 95
- Initializing Performance 96
- Settings (Init) 96
- Saving Performance You’ve 96
- Part in a Performance 97
- Waving Your Hand Over the D 98
- Beam to Modify the Sound 98
- (D Beam Controller) 98
- PAD Trigger settings 99
- (Pad-related settings) 99
- SOLO SYNTH 100
- Using Knobs or Buttons to 101
- Modify the Sound 101
- (Realtime Controller) 101
- Using a Pedal to Modify the 102
- Sound (Control Pedal) 102
- Making Control Pedal Settings 102
- Control Pedal Polarity 103
- Hold Pedal Polarity 103
- Continuous Hold Pedal 103
- Control Pedal Assign 103
- Playing Arpeggios 104
- (ARPEGGIO/RHYTHM Function) 104
- Arpeggio Settings 105
- Playing the Sounds) (Motif) 106
- Arpeggio (Arpeggio Velocity) 106
- Creating Your Own Styles 107
- Saving the Styles You Have 109
- Created (WRITE) 109
- (CHORD MEMORY) 110
- Creating Your Own Chord 111
- Saving the Chord Forms You 111
- Have Created 111
- Playing Rhythms 112
- Rhythm Pattern Settings 113
- (Rhythm Pattern Edit) 115
- Saving the Patterns You Have 116
- (Rhythm Group Edit) 116
- Saving the Rhythm Group You 117
- Have Created (WRITE) 117
- Sampling 118
- Input Effect Setup Settings 119
- Sampling Procedure 119
- Sampling Earlier in Time 121
- (Skip Back Sampling) 121
- Editing a Sample 122
- Loading a Sample 123
- Loading all Samples 123
- Unloading a Sample 123
- Deleting a Sample 123
- Displaying Sample Edit Screen 124
- Making Settings for Sample 125
- (Sample Parameters) 125
- Assigning Samples to a Pad 126
- (Assign To Pad) 126
- From Patch Mode 127
- From Performance Mode 127
- Create a Rhythm Set 128
- (Create Rhythm) 128
- Creating a Multisample 128
- (Create Multisample) 128
- Unloading a Sample (Unload) 129
- Removing Unwanted Portions 129
- Sample (Emphasis) 130
- Maximizing the Volume of a 130
- Sample (Normalize) 130
- Stretching or Shrinking a 131
- Sample (Time Stretch) 131
- Dividing a Sample into Notes 132
- Joining Two or More Samples 133
- (Combine) 133
- Saving a Sample 134
- Using the Pads 135
- Using the Clipboard to Copy 136
- Pad Settings 136
- Adjusting the Pad Settings 136
- (PAD SETTING) 136
- Assigning a Pattern to a Pad 137
- (RPS Function) 137
- Using the Pads to Play 137
- Playing Back a Song 138
- Various Playback Methods 139
- Recording Songs 141
- Recording Your Performance 142
- (Realtime Recording) 142
- Recording Tempo Changes in a 143
- Song (Tempo Recording) 143
- Loop Recording and Punch-In 143
- Recording 143
- Using Auto Punch-In Recording 144
- Record (Realtime Erase) 145
- Inputting Data One Step at a 146
- Time (Step Recording) 146
- Editing Songs 149
- Assigning a Locate Position 150
- Editing Sequencer Data Over 151
- (Track Edit) 151
- Erasing Unwanted Performance 154
- Data (Erase) 154
- Copying Phrases (Copy) 155
- Inserting a Blank Measure 156
- (Insert) 156
- Transpose the Key (Transpose) 156
- (Change Velocity) 157
- (Change Duration) 158
- Changing the MIDI Channel 158
- (Change Channel) 158
- Patterns into One (Merge) 159
- Sequencer Data (Extract) 159
- (Data Thin) 161
- Patterns (Exchange) 161
- Editing Individual Items of 162
- Sequencer Data (Micro Edit) 162
- Sequencer Data Handled by a 163
- Phrase Track/Pattern 163
- Viewing Sequencer Data (View) 164
- Moving Sequencer Data (Move) 165
- Copying Sequencer Data (Copy) 166
- Changing the Tempo Midway 166
- Through the Song 166
- Assigning a Name to a Song 167
- (Song Name) 167
- Saving a Song (Save) 168
- Saving a Song (Save Song) 169
- Saving a Song as an SMF File 170
- (Save as SMF) 170
- Loading a Song (Load) 170
- Importing a WAV/AIFF File 171
- (Import Audio) 171
- Before You Use the RPS 172
- Function 172
- Using the RPS Function While 173
- You Perform 173
- RPS Function 174
- Adding Effects 175
- Applying Effects in 178
- Performance Mode 178
- (MFX1–3) 180
- (MFX Control) 181
- Specifying the multi-effect 182
- Mastering Effect 183
- Computer via USB 184
- Importing Audio file 185
- Using a Bitmap File as a 185
- Background in the Display 185
- Canceling USB Communication 186
- Copying a File (COPY) 187
- Deleting a File (DELETE) 187
- Moving a File (MOVE) 187
- Initializing a Memory Card 187
- (Format) 187
- How to Make the System 188
- Function Settings 188
- Saving the System Settings 188
- Pedal/D Beam 189
- Keyboard 189
- System Ctrl 190
- Screen Saver 190
- Background 190
- Sync/Temp 190
- Metronome 192
- Scale Tune 194
- System Information 195
- Data Management Functions 196
- (Factory Reset) 196
- Playing in Piano Mode 197
- Adjusting the Keyboard Touch 198
- (Key Touch) 198
- Adjusting the Depth of 198
- Resonance (Resonance) 198
- Saving a Sound (Patch) 198
- Using Fantom-S Editor 199
- System Requirements (Mac OS) 200
- About V-LINK 201
- V-LINK Parameters 202
- Cautions When Installing an 203
- Wave Expansion Board 203
- How to Install a Wave 203
- Expansion Board 203
- Checking the Installed Wave 204
- Expansion Boards 204
- Installation d’une carte 205
- Vérification des cartes 206
- Expanding the Memory 207
- Checking that memory is 208
- Ajouter de la mémoire 209
- Vérifier que la mémoire est 210
- Troubleshooting 211
- Issues Related to Effects 213
- Issues Related to Saving Data 213
- Issues Related to Sequencer 214
- Issues Related to Sampling 215
- Specifications 217
- Numerics 218
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